Zu-Yan Huang Zu-Yan Huang

Zu-Yan Huang graduated from the film and theatre program of the Department of Drama at Chinese Culture University.

Huang has served as technical director, stage manager and technical coordinator for productions at the Taipei Arts Festival, the Taipei International Dance Festival, the Yilan International Children's Folklore and Folkgame Festival and the Taipei Poetry Festival.

Lighting designs include “Before, After, Left and Right of the Border” (在邊界前後左右), “Decadent Box, Strange Canon” (頹箱異典) and “The East Wind Returns” (再現東風) for Dance Forum Taipei; “@ Dream” (@ 夢) for 影舞集; “I Want You Before Dawn” (天亮之前我要你), “Countdown” (倒數計時) and “Crystal Boys” (孽子) for the Creative Society Theatre; “The Tempest” (暴風雨), “Water Margin 108” (水滸 108), “Women of Loulan” (樓蘭女) and “The Legend of Chekhov” (契訶夫傳奇) for Contemporary Legend Theatre; “Falstaff” (法斯塔夫) in the NSO Opera series; the multimedia concert “Tan Dun and Crouching Tiger, Hidden Dragon” (譚盾與臥虎藏龍); “WAHYU,” a joint performance by international artists at an arts festival in Korea; Pai Hsien-yung's youth editions of “The Peony Pavilion” (牡丹亭) and “The Jade Hairpin” (玉簪記); “The Lost Kingdom” (消失的王國) for the Taiwan Strings; the site-specific “Wandering in the Garden, Waking from a Dream” (遊園驚夢) for the Suzhou Kunqu Opera Theatre; the outdoor production “The Sino-French War Affair” (西仔反事件) for Golden Bough Theatre; “Spring Breeze of Weishui” (渭水春風) and “WeChat” (微信) for Music Era Theatre; “Cao Guojiu” (曹國舅) and “Penglai Fairy Island” (蓬萊仙島) for Ming Hwa Yuan Arts and Cultural Group; “The Widow's Peak” (美人尖) for Taiwan Bangzi Opera Company; “Not Far from Home” (離家不遠) and “War” (戰) for Approaching Theatre; and “The Broken Mirror Murder” (破鏡謀殺案) for the Shanghai Dramatic Arts Centre.